Munich Kammerspiele – Season 2018/19. Virginia, a woman, waits. Artistic Director Matthias Lilienthal presented the new season together with directors Christopher Rüping, Susanne Kennedy, and Trajal Harrell in June. : +49 (0)531-3104962Fax: +49 (0)531-352266, Aufgrund der verschärften Maßnahmen in Bezug auf die Corona-Krise ist die Website leider nicht tagesaktuell. “Habitat Munich” explodes the prevalent concepts of body, dance, and nudity! This is the first time the film director Visar Morina has been involved in theater, and he paints an equally deeply sad as well as humorous portrait of a person in isolation. 2, 80539 Munich, Germany - Rated 4.7 based on 145 Reviews ".The most adventurous theater institution in Germany!" syncboy live @ kraut&drastik, münchner kammerspiele, 140125, track 05, "waterfalls"… They talk, they laugh; it’s strange, suspense-packed. By and with Nancy Mensah Offei, Michael Pietsch, Komi Togbonou, Martin Weigel, Director: Jan-Christoph GockelSet and costume designer: Julia KurzwegVideo designer and documentation: Eike ZuleegPuppet construction: Michael PietschDramaturges: Olivia Ebert, Tobias Schuster. Im Profil von Mleihi Mleihi sind 9 Jobs angegeben. Or to at last turn the tables and buttonhole the dispatchers of all those irritating spam emails! Postfach 10 10 38 The Münchner Kammerspiele was founded as a small private theater by Erich Ziegel in … They energetically discuss the feeling of belonging, gender equality, discriminating language, and religion. A narration of the women’s movement in Munich is created as a counter-narration from historic, biographical, and fictionalized material. While working Julia Häusermann calls herself “Frank,” after Frank Levinsky from the German television series “Verbotene Liebe” (“Forbidden Love”). Münchner Kammerspiele – Season 2018 to 2019. A creative work in development with actors and a municipal ensemble bring back to life the forgotten activists, their photography studio “Elvira,” the Verein für Fraueninteressen (“The Association of Progressive Women”), and the first Bavarian Women’s Day in 1899. Discover. 20:00 - 20:30 Hrs. Two texts, “Geschwister” (“Siblings”) by Klaus Mann, which had its world premiere in 1930 at Münchner Kammerspiele, and “Der Tod in Venedig” (“Death in Venice”) by Thomas Mann, which was famously filmed in Venice, will be interconnected in this project and continued on a new level. Tram: … Director: Nele JahnkeSet and costume designer: Sabina WinklerMusical director: Hans-Jakob Christian MühlethalerVideo designer: Eliane BertschiDramaturge: Mehdi MoradpourAccompaniment and artistic collaboration: Anna FierzPhotography: Maxi SchmitzConcept and authors: Eliane Bertschi, Anna Fierz, Julia Häusermann, Nele Jahnke, Mehdi Moradpour, Hans-Jakob Christian Mühlethaler, Maxi Schmitz, Sabina Winkler, A collaboration with Theater HORA-Stiftung Züriwerk. But where is a society drifting to when its cornerstones start to totter, and how do people react to an awareness of life that is fundamentally changing?The Notwist recently curated the legendary concert series “Alien Disko” at the Kammerspiele; the director Jette Steckel will develop with the band an evening where text, music, space, and actors relate a collective experience from numerous perspectives. She deals with the structural conditions of a society where class differences are simultaneously in effect and negated. The collapse into fascism occurs at first unnoticed, completely underestimated, but the destruction is all the more complete. Programmheft Spielplan Kammerspiele Spielzeit 1969 - 70: Münchner Kammerspiele: Bücher. Band: Tufan Aydoğan (Keyboard), Mori Dioubaté (Balafon), Simon Popp (Percussion), Manu Rzytki (Synthesizer)Fotos: Josef Beyer (Konzept), Gina Bolle, Francesco Giordano, Sandra Singh, Konzept & Produktion: Gina Penzkofer, Verena RegensburgerDramaturgie: Viola HasselbergBandkonzept & Musikalische Leitung: Sebastian ReierKünstlerische Produktionsleitung Musik: Daniela SchrollTechnische Produktionsleitung: Richard Illmer, * “What is the city but the people” was first commissioned and produced by the Manchester International Festival in a stage design by Simon Banham. ZSCHOKKESTRASSE 36. They dance, he exits. The assembly of 50,000 people secured democratic rights in public, and formulated what had previously never been considered. Then the same scene begins again, inspired by John Cassavete’s film “Opening Night,” and begins again, and begins again, and begins again, one hundred times in 24 hours. 80539 Munich Produktionen Den Spielplan finden Sie hier: Oktober bis Dezember 2020 Januar bis März 2021 April bis Juni 2021 Sonderveranstaltungen und Reihen OFS-Produktionen In Planung, Koproduktionen, Gastspiele, Wiederaufnahmen In Planung Inszenierungen von Anne HabermehlIngrid LausundMariano PensottiGerhard Polt & den Well-Brüdern Koproduktionen mit Serge … Four actors re-enact these conflict-laden conversations. With André Benndorff , Sebastian Brandes, Julia Gräfner, Walter Hess, Gro Swantje Kohlhoff, Bekim Latifi, Michael Pietsch, Leoni Schulz, Martin Weigel, Director: Jan-Christoph GockelSet designer: Julia KurzwegCostume designer: Amit EpsteinMusic: Anton BermanLightdesign: Christian SchweigPuppet constructor: Michael PietschDramaturge: Viola Hasselberg. / 14. Kammer 3. A PROJECT BY KINAN HMEIDAN / … New production with dancers from Dance On Ensemble: Ty Boomershine. In “9/26” the many voices of the victims relate stories of the attack on September 26, 1980. Choreographer: Lucinda ChildsNew production by Ty BoomershineDancers: Ty Boomershine, Emma Lewis, Gesine Moog, Miki Orihara, Lia Witjes-Poole, and Anna Herrmann. What could be more constructive, more invigorating than a telephone call with a customer services hotline? “Der letzte Sommer im Leben Gustav von Aschenbachs” (“The Last Summer in the Life of Gustav von Aschenbach”). 80084 Munich. “Der letzte Sommer” (“The Last Summer”) by Erika Mann. MK: Don’t let reality rest. Furious and with desperate courage, they try in 1918 and 1919 to give a devastated country a political and human perspective. With Erwin Aljukić, Amie N Dey Jammeh, Mirko De Campi, Ulriqa Fernqvist, Joseph Gebrael, Thomas Hauser, Lukas Karvelis, Anna Gesa-Raija Lappe, Christian Löber, Anne Müller, Melissa Ugolini, TingAn Ying, Text author and director: Falk RichterChoreographer: Anouk van DijkSet designer: Katrin HoffmannCostume designer: Andy BesuchMusic: Matthias GrübelVideo designer: Chris KondekLightdesign: Charlotte MarrDramaturge: Tobias Schuster. Prime Shopping-Basket. And only now, 40 years later, are the stories of those affected by the attack at the center of the focus. The visionary Wolfram Lotz interviews a species that doesn’t even exist. © 2020 Der Spielplan online - Theater Zeitschrift mit aktuellem Theater Programm - . C is alone. FOR THE LAST TIME. Auf LinkedIn können Sie sich das vollständige Profil ansehen und mehr über die Kontakte von Mleihi Mleihi und Jobs bei ähnlichen Unternehmen erfahren. 1986 war er in George Taboris Beckett-Inszenierung „Glückliche … For Hire . The production inspects the messages in bottles of an outrageous past. Falckenbergstraße 2 80539 Munich Telefon: 089 / 233 371 00. Director: Heike M. Goetze, A realistic play by Porte Parole (Alex Ivanovic, Annabel Soutar, Brett Watson) With dissecting insights the satirist examines the shallows of the post-war period, which also mark our present: excessive growth, authoritarian tendencies, the suppression of history, and inequality. But the temptations of totalitarianism are too large. Münchner Kammerspiele The Münchner Kammerspiele is a private theater that focuses on staging contemporary and classic German plays. Director: Pınar KarabulutSet designer: Bettina PommerCostume designer: Aleksandra PavlovićMusic: Daniel MurenaDramaturge: Mehdi Moradpour. Text author and director: Nora Abdel-MaksoudSet and costume designer: Katharina FaltnerMusic: EnikDramaturge: Olivia Ebert. Falk Richter and the choreographer Anouk van Dijk contemplate, together with their ensemble, a phase of profound upheaval in their very personal creative work in development between dance and theater. What’s new dies. Who is this supposed to be, “the” politicians? The audience will also have something to say here. Director: Falk RichterSet designer: Wolfgang MenardiCostume designer: Amit EpsteinMusic: Matthias GrübelDramaturge: Tobias Schuster. The production team interviewed and photographed many great people, but before the event could be realized, the latest developments around the coronavirus put a damper on the performance. Munich was an absolute stronghold of the women’s movement 120 years ago; many female artists were in the vanguard of the movement, and also one man. Sehen Sie sich das Profil von Mleihi Mleihi im größten Business-Netzwerk der Welt an. Director: Jan-Christoph Gockel, A research project by Christine Umpfenbach, Based on the novel by Gabriele TergitWorld premiere, A travel project by Ebert / Gockel / Offei / Pietsch / Togbonou / WeigelWorld premiere, Based on texts by Gisela Elsnerin a version by Pınar Karabulut and Mehdi MoradpourWorld premiere, by Nat Randall and Anna BreckonA 24-hour performance with Wiebke Puls and 100 male performers, Text and research by Gesine SchmidtWorld premiere, A creative work in development on the history of the women’s movement in Munich by Jessica GlauseWorld premiere, A collage by The Notwist and Jette Steckel, Choreography by Lucinda Childs Kammerspiele.... August Strindberg Book Details: Author: August Strindberg Published Date: 08 Apr 2012 Publisher: Nabu Press Language: English, German Format: Paperback::252 pages, ePub, Audio CD ISBN10: 1279808713 File size: 55 Mb Filename: kammerspiele....pdf Dimension: 189x 246x 13mm::458g Download: Kammerspiele... Wir akzeptieren die Gutscheine der Wer Justice is “out” and immortality is “in”. With Katharina Bach, Svetlana Belesova, Thomas Schmauser, Director: Felicitas BruckerSet and costume designer: Viva SchudtVideo designer: Luis KrawenDramaturge: Tobias Schuster. Director & Choreography: Anouk van Dijk, A performance by Doris Uhlich with dancers from Munich, A project by and with Julia Häusermann What do we hope for with the promises of salvation regarding robotics? Please refer media inquiries to:, Open Posts (in German): Arbeiten an den Münchner Kammerspielen, by Falk Richter & Anouk van Dijk But whom can you call if you don’t have anyone? Saturday 17 October 2020; Both projects are being developed as part of the SCORES OF CHANGE program. With her new text “Jeeps” the author and director Nora Abdel-Maksoud examines a deep social need for security. His latest work is an extremely musical, playful, humorous, bitter meditation that drills into one’s hearing and brain. She’s a medium, a performer who transforms into ghosts, pop icons, telenovela characters, machines, and entertainers. The continents are in motion, a land sinks. History. Director, set and costume designer: Heike M. GoetzeMusic: Fabian KalkerDramaturge: Viola HasselbergTranslated from English by Maren Kames. 20:00 - 21:30 Hrs. Director: Chris Abraham / Verena Regensburger, A work for actors and puppets based on the novel by Ernst Toller “Works in Silence,” parts of which will be seen for the first time since 50 years, offers insights into the experimental work of one of the most important representatives of postmodern dance. Director: Jessica GlauseSet designer: Jil BertermannCostume designer: Aleksandra PavlovićMusic composition: Eva Jantschitsch. Christine Umpfenbach examines the way we deal with memory and the perception of reality. Sponsored by the Doppelpass Fund, a program of the German Federal Cultural Foundation. With Edith Saldanha, Stefan Merki, and students of the performing arts academy Otto-Falckenberg-Schule, Director: Christine UmpfenbachSet designer: Evi BauerCostume designer: Pascale MartinMusic: Anton KaunDramaturge: Harald WolffIn collaboration with the Otto-Falckenberg-Schule. It was the most terrible terror attack in the history of the Federal Republic of Germany. When has the time come to seek shelter and leave the country? The daughter. The father. A man, Marty, enters. Does it help in the decisive situations in life to sit in one’s own SUV and think about the real estate and bank accounts of one’s parents and grandparents? Director: Nele Jahnke, by Sivan Ben Yishai Theater Mär 2020 - Landestheater Niederbayern, Theater Jul/Aug 2017 - Städtebundtheater Halberstadt / Quedlinburg. How will they interpret their role in this typical scene of a heterosexual relationship, how will they diversify the role? Die Münchner Kammerspiele trauern um Peter Radtke. Bitte tragen Sie hierfür Ihre E-Mail Adresse ein. The company was founded in 1906 in Schwabing as the private troupe of Erich Ziegel.Beginning in 1917, Otto Falckenberg served as director; in 1926, he moved the company into the Schauspielhaus, (built in Art Nouveau style in 1901 by Richard Riemerschmid and Max Littmann).Since 1933, the Münchner Kammerspiele has been a municipal theater company of the City of Munich. It has three major stages located near Maximilianstrasse in Munich. A reflection on (gender) identity, the power of a family, and the power of death. None of the 100 men from Munich who are invited to take on Marty’s role will meet Virginia beforehand or rehearse with her; the role of Virginia will be performed in this breathtaking theater marathon by Wiebke Puls. Guided tour through the Münchner Kammerspiele. Im Anschluss erhalten Sie von uns eine E-Mail zur Bestätigung Ihres kostenfreien Abonnements.Wir wünschen Ihnen viel Vergnügen mit unserem aktuellen Newsletter,Ihre Spielplan-Redaktion, Rebhuhnweg 3 38108 Braunschweig Tel. Past concerts See all. So it is more important then ever to occupy the public space with a live action to set an example for the diversity of life in this city. As a unique happening, “What is the City” poses the question of the meaning of a functioning and lively city. Münchner theatergeschichtliches Symposium 2000. Her epic novel about two Jewish families, told from their living rooms, is a precise observation on the dynamic rise as well as the stealthy decline of a bourgeois world between 1870 and 1939. Maximilianstrasse 28, Munich, Germany About our rating system. The more solutions are being discussed, the more obvious the social wounds become: The shortage of nursing staff points to our existential human fragility, for which we do not find an answer in the system.